Safe as houses 5: Running, running, running

I wasn’t able to exercise in any of my usual ways during shielding. So this shows (a version of) me running. The ribbons from some of my Marathon medals are almost a floral spray up in the top right hand corner This collage gave me beauty and dynamism, when both of those things felt truly lacking. …

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Safe as Houses 4: How safe?

The two ‘women’  in my installation reflect different parts of myself. The naked woman shows how vulnerable I felt. She’s also a commentary on the government pronouncements on deaths ‘only’ being in the old and those with pre-existing conditions. That’s me, I thought! I’ve got pre-existing conditions – so apparently my death doesn’t really count. …

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Safe as houses 3: Looking out at the world.

white woman in shorts sitting on the floor clasping her knees looking down a paper perspective tunnel at a paper tree loaded with luscious bulging lemons.

It was very difficult not being allowed outside at all. I constructed a paper lemon tree to show some of the natural world – even if it was far far away at the end of a perspective tunnel . I went hungry when I couldn’t get any food and in this picture you can also …

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Safe as Houses 2: Dead bodies

In the daily coronavirus briefings, the government blithely showed all those graphs on the front of my TV. It  felt like they were ignoring the individual people whose deaths they weren’t really reporting. Those ignored dead bodies spewed out of the back of my TV. You can also see the barred door – that I’m …

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Safe as houses 1: Sitting in my installation

Im sitting - in my shorts - in my installation. Theres a prisoner in Guantanamo orange ranting on her phone, a coffin with the corpse shown rotting on the side, and a vulnerable naked woman lying on the sofa. Theres lots more not visible here.

I was shielded during the lockdown and made an installation in the only place I could go – my front room – with the only material I had – recycled packaging. It’s too large to show all of it in one photograph. Please take note of the coffin – after an old friend pf mine …

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Third Wave

part of the Hokusai wave - with multicultural heads to show the black, brown and white people caught up and destroyed in the pandemic

I won a special award for COVID-19 Critique from Bertha Dochouse. And was Runner up for the 3rd edition of their Creative Response to Self-Isolation competition: New Reveries: The Power of Archive Now. This was about delving into the archive. Third Wave includes some archive from the 1918 pandemic – and also shows some of …

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The THIRD WAVE: references

This 6 minute film explores inequalities in the Covid-19 pandemic – including my own shielding, BAME inequalities, and the slaughter in care homes. I’ve included some archive from the 1918 pandemic, created some specific new art, and included a few elements from the archive I have created of my own shielding. There’s more of the …

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Magnificent Multimorbidity

Magnificent Multimorbidity shows two female figures on a mustard yellow ground.These naked figures show my multiple morbidities.  Their nakedness illustrates how vulnerable I can be with my multimorbidity. And also shows that I am more than a set of diagnoses: I am a human being and a woman. Both of the figures are a collage …

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The sound of fear

Roberto Rusconi from Intrasonus asked me to write a about the sound of fear. Here’s my submission:  It’s just after New Year.Yorkshire is blanketed in snowSmothered in silence.Outside, there’s the squeak creak squeak creak of walking on fresh snow. As we get out onto the moors, the silence somehow gets louder, wider, huge-er. In between …

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The Blind Cloning the Blind

This is my spoof of The Blind leading the Blind by Breughel (1584). It’s a visual joke I submitted to Insight: an exhibition showing the work of visually impaired artists, organised by some MA Curation students at Leeds Art University.  Breughel’s painting ostensibly responds to the Matthew 5:14 parable. It has been described as showing …

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